Classics Explained: Bach, J.S. - Brandenburg Concertos Nos 4 & 5 (Siepmann) Songtexte - Jeremy Siepmann

Classics Explained: Bach, J.S. - Brandenburg Concertos Nos 4 & 5 (Siepmann) - Jeremy Siepmann

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#	Titel	Anhören
1	Jeremy Siepmann - Brandenburg Concerto No. 4 in G: The Brandenburgs as concerti grossi [Songtext anzeigen]
2	Jeremy Siepmann - Brandenburg Concerto No. 4 in G - First Movement: Introduction: Melody, Theme and Motif; Bach's opening gambit [Songtext anzeigen]
3	Jeremy Siepmann - Brandenburg Concerto No. 4 in G - First Movement: Onwards and upwards: Motif No. 2 and its function [Songtext anzeigen]
4	Jeremy Siepmann - Brandenburg Concerto No. 4 in G - First Movement: The two elements of Motif No. 2 and the effect of their combination [Songtext anzeigen]
5	Jeremy Siepmann - Brandenburg Concerto No. 4 in G - First Movement: The 'motto' rhythm hidden even within the opening bar [Songtext anzeigen]
6	Jeremy Siepmann - Brandenburg Concerto No. 4 in G - First Movement: Motif No. 3, introduced by the two recorders, has a kind of 'hovering' character [Songtext anzeigen]
7	Jeremy Siepmann - Brandenburg Concerto No. 4 in G - First Movement: Motif No. 3 repeated for a second, 'directed' listen [Songtext anzeigen]
8	Jeremy Siepmann - Brandenburg Concerto No. 4 in G - First Movement: Bach reminds us of the opening [Songtext anzeigen]
9	Jeremy Siepmann - Brandenburg Concerto No. 4 in G - First Movement: Motif No. 4 - a steadily rising derivative of Motif No. 1 [Songtext anzeigen]
10	Jeremy Siepmann - Brandenburg Concerto No. 4 in G - First Movement: Motif No. 5, a lovely, bouncy, syncopated flourish, in which all the instruments join [Songtext anzeigen]
11	Jeremy Siepmann - Brandenburg Concerto No. 4 in G - First Movement: Opening Ritornello (complete) [Songtext anzeigen]
12	Jeremy Siepmann - Brandenburg Concerto No. 4 in G - First Movement: Episode 1 begins with virtuoso entry of the solo violin, made up of alternating arpeggios [Songtext anzeigen]
13	Jeremy Siepmann - Brandenburg Concerto No. 4 in G - First Movement: Motif No. 3 returns, courtesy of the recorders, recently sidelined by the violin [Songtext anzeigen]
14	Jeremy Siepmann - Brandenburg Concerto No. 4 in G - First Movement: Ritornello 2, a varied repeat of Ritornello 1, arrives after much harmonic movement [Songtext anzeigen]
15	Jeremy Siepmann - Brandenburg Concerto No. 4 in G - First Movement: Episode 2, Part 1, preceded by the 'fanfare' motif from which its first theme derives [Songtext anzeigen]
16	Jeremy Siepmann - Brandenburg Concerto No. 4 in G - First Movement: Episode 2 continued, with more bravura dazzle from the solo violin [Songtext anzeigen]
17	Jeremy Siepmann - Brandenburg Concerto No. 4 in G - First Movement: Repeat of section for purposes of hearing the harmonic movement [Songtext anzeigen]
18	Jeremy Siepmann - Brandenburg Concerto No. 4 in G - First Movement: Ritornello 3, with the prominent participation of the soloists [Songtext anzeigen]
19	Jeremy Siepmann - Brandenburg Concerto No. 4 in G - First Movement: Episode 3 proves retrospective, featuring transposed repeats of earlier material [Songtext anzeigen]
20	Jeremy Siepmann - Brandenburg Concerto No. 4 in G - First Movement: Ritornello 4, not altogether what it might seem; solo violin takes 'motto' motif [Songtext anzeigen]
21	Jeremy Siepmann - Brandenburg Concerto No. 4 in G - First Movement: Episode 4. Cue to Part 1, focusing on 'soloistic' counterpoint provided by the continuo [Songtext anzeigen]
22	Jeremy Siepmann - Brandenburg Concerto No. 4 in G - First Movement: Return to Ritornello 4 to hear sources of Episode 4, Part 2 [Songtext anzeigen]
23	Jeremy Siepmann - Brandenburg Concerto No. 4 in G - First Movement: Episode 4 continued, with emphasis placed on conversational interchanges [Songtext anzeigen]
24	Jeremy Siepmann - Brandenburg Concerto No. 4 in G - First Movement: Return to opening Ritornello in order to enhance awareness of the contrast [Songtext anzeigen]
25	Jeremy Siepmann - Brandenburg Concerto No. 4 in G - First Movement: Ritornello 5, beginning [Songtext anzeigen]
26	Jeremy Siepmann - Brandenburg Concerto No. 4 in G - First Movement: Ritornello 5 continued, with emphasis on the determined banishment of B Minor [Songtext anzeigen]
27	Jeremy Siepmann - Brandenburg Concerto No. 4 in G - First Movement: Cue to complete performance of First Movement [Songtext anzeigen]
28	Jeremy Siepmann - Brandenburg Concerto No. 4 in G - First Movement: First Movement (complete) [Songtext anzeigen]
29	Jeremy Siepmann - Brandenburg Concerto No. 4 in G - Second Movement: Introduction: Rhythmic Motif provides basis for whole movement [Songtext anzeigen]
30	Jeremy Siepmann - Brandenburg Concerto No. 4 in G - Second Movement: The melody not much to write home about; nor is the meek 'answer' offered by the soloists [Songtext anzeigen]
31	Jeremy Siepmann - Brandenburg Concerto No. 4 in G - Second Movement: Putting the two together, thereby establishing a relationship [Songtext anzeigen]
32	Jeremy Siepmann - Brandenburg Concerto No. 4 in G - Second Movement: Contrast and syncopation - their relationship in opening section [Songtext anzeigen]
33	Jeremy Siepmann - Brandenburg Concerto No. 4 in G - Second Movement: Listening from the 'botton up' [Songtext anzeigen]
34	Jeremy Siepmann - Brandenburg Concerto No. 4 in G - Second Movement: The intertwining and alternation of solo and orchestra; the irregularity of metrical groupings [Songtext anzeigen]
35	Jeremy Siepmann - Brandenburg Concerto No. 4 in G - Second Movement: The next orchestral phrase; slowing the pace but not the tempo [Songtext anzeigen]
36	Jeremy Siepmann - Brandenburg Concerto No. 4 in G - Second Movement: The First Section (complete) [Songtext anzeigen]
37	Jeremy Siepmann - Brandenburg Concerto No. 4 in G - Second Movement: The next section; foreground symmetry and background variety [Songtext anzeigen]
38	Jeremy Siepmann - Brandenburg Concerto No. 4 in G - Second Movement: The central section's groupings are hugely asymmetrical [Songtext anzeigen]
39	Jeremy Siepmann - Brandenburg Concerto No. 4 in G - Second Movement: Cue to Second Movement as a whole [Songtext anzeigen]
40	Jeremy Siepmann - Brandenburg Concerto No. 4 in G - Second Movement: Second Movement (complete) [Songtext anzeigen]
41	Jeremy Siepmann - Brandenburg Concerto No. 4 in G - Third Movement: Introduction to the Third Movement... [Songtext anzeigen]
42	Jeremy Siepmann - Brandenburg Concerto No. 4 in G - Third Movement: Fugue subject [Songtext anzeigen]
43	Jeremy Siepmann - Brandenburg Concerto No. 4 in G - Third Movement: First counter-subject [Songtext anzeigen]
44	Jeremy Siepmann - Brandenburg Concerto No. 4 in G - Third Movement: Second counter-subject [Songtext anzeigen]
45	Jeremy Siepmann - Brandenburg Concerto No. 4 in G - Third Movement: Bass entry of the subject [Songtext anzeigen]
46	Jeremy Siepmann - Brandenburg Concerto No. 4 in G - Third Movement: Exposition (complete) [Songtext anzeigen]
47	Jeremy Siepmann - Brandenburg Concerto No. 4 in G - Third Movement: First Episode; the use of fragmentary derivatives [Songtext anzeigen]
48	Jeremy Siepmann - Brandenburg Concerto No. 4 in G - Third Movement: The difference a detail can make! [Songtext anzeigen]
49	Jeremy Siepmann - Brandenburg Concerto No. 4 in G - Third Movement: Harmonic Rhythm defined; back to the beginning to find the seed... [Songtext anzeigen]
50	Jeremy Siepmann - Brandenburg Concerto No. 4 in G - Third Movement: ...and now the blossom [Songtext anzeigen]

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